In America, that's where the story ends, but over here, the BBC refused to play the song as it would be unfairly promoting a commercially available magazine. Once the song charted, Rolling Stone did actually put the band on the cover, but in cartoon form, with the sardonic headline, "What's-Their-Names Make the Cover". Hook and the Medicine Show scored a big hit in 1972 with their third single, a countrified spoof on rock star life claiming that all any band wants is to appear on the cover of a certain rock magazine, which at that point they had failed to do.
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And as a final twist of the rewrite quill, in 2011 CeeLo released Thank You, which is the same song but with an appreciative lyric about firefighters.Īnd then there are the songs that are rewritten without any involvement from the artists whatsoever. Then there's F*** You (Heartbreaker) an even swearier version featuring 50 Cent, and a satirically rewritten version in which the offending hookline was replaced with "Fox News" for US comedy show The Colbert Report. But there's also a ready-to-go radio edit (which most people in the UK will be familiar with) called FU, and that version leaves blank spaces on all the swear words that couldn't be replaced with "forget" and were left in. There's a video for each one, with appropriate edits where necessary. The fully unedited version is - as you may expect - abusive in the extreme, while the version called Forget You is less so. Knowing it would struggle for airplay, they released it in three forms. CeeLo Green, Bruno Mars and production team the Smeezingtons gathered to write in 2009, and came up with a scathing attack of a song called F*** You.
#NBA LIVE 2005 SOUNDTRACK LYRICS FULL#
The full story of this song and its various lyrical rewrites is longer than it seems, even for people who are aware that it was not originally called Forget You at all. Cherry cola was not a flavour of fizzy pop that was available in the UK at that time, and would not be available commercially until 1985. BBC Radio, while fine with the song's narrative, wouldn't play a song with such obvious product placement, so Ray flew from New York to London to change the reference to "cherry cola". The song was banned in Australia, while some radio stations would fade out the song before the verse in which Ray sings, "I'm glad I'm a man and so's Lola." But the thing that made Ray reconsider his lyrics was the mention of Coca-Cola in the first line. Ray Davies explained to Kinks biographer Jon Savage that it was based on a night out with his manager Robert Wace: "Robert had been dancing with this black woman, and he said, 'I'm really onto a thing here.' And it was okay until we left at six in the morning and then I said, 'Have you seen the stubble?' He said 'Yeah,' but he was too p***** to care, I think." The song tells the story of a late night liaison in a nightclub between the narrator and a transgender woman. Lola is perhaps the most famous lyrical rewrite in rock history, but it's fascinating to note exactly what drove Ray Davies to rush to a recording studio to re-do the lyric on his band's biggest hit of the 1970s.
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Needless to say, the line, "But I'm a 90s b****," didn't make it either. The Kidz Bop version takes a more socially responsible slant, treating that moment more like a driving lesson: "You drove your car across the bridge / I watched, you let it turn." Notably in the gloriously nihilistic I Don't Care by Icona Pop, she sings, "I crashed my car into a bridge / I watched, I let it burn," as a symbol of her utter disregard for everything.
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Some of the decisions are a little odd, however. Kelly's sheets" in Thrift Shop by Macklemore & Ryan Lewis becomes "it smells like my baseball cleats".
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This can sometimes lead to unintentionally comic moments, where, for example, Lady Gaga's claim to be "sippin' that bubb" while out in the club in Telephone becomes "eatin' that grub", and the immortal line "it smells like R. So the makers of Kidz Bop, who use child singers to cover contemporary pop songs, absolutely have to adjust the odd lyric to remove any suggestion of adult content. Some songs have to be changed to suit the audience for which they are intended.